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Real Men Don't Rehearse: Adventures in the Secret World of Professional Orchestras
Download PDF Real Men Don't Rehearse: Adventures in the Secret World of Professional Orchestras
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From the Inside Flap
The inner workings of professional orchestras are usually kept of public view, but now at last you can have your own personal tour of this mystical and magical realm.
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About the Author
Justin Locke spent 18 years as a freelance double bass player in Boston, where he played with the Boston Pops and the Boston Symphony, as well as in pit orchestras for operas, ballets, and Broadway shows. The long list of distinguished conductors he played for includes Henry Mancini, Leonard Bernstein, seiji Ozawa, John Williams, and Arthur Fiedler.He is a "score reader" for television broadcasts of the Boston Pops, and he is the author of several programs for family orchestra concerts which are done all over the world.
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Product details
Paperback: 194 pages
Publisher: Justin Locke Productions (January 16, 2012)
Language: English
ISBN-10: 9780615130293
ISBN-13: 978-0615130293
ASIN: 0615130291
Product Dimensions:
5.5 x 0.4 x 8.5 inches
Shipping Weight: 7.2 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
73 customer reviews
Amazon Best Sellers Rank:
#119,904 in Books (See Top 100 in Books)
I thought this book was fascinating! I sang the Great American Songbook with symphony orchestras from the mid-eighties through the early 2000s, including some of the finest in the country such as the Pittsburgh and the Cincinnati (sadly though, never the Boston Pops). I studied classical piano for ten years, so I respect and admire the fine symphonic musicians I worked with. Thanks to Justin Locke's book, I also realize why my technique was never that great....I NEVER spent time practicing scales and exercises. I just played pieces I enjoyed playing...and a little sloppy technique?....well...I was never going to be a concert pianist...so I just played for fun. Still do. BUT..after reading his book, I realize how much better I COULD have been. A real eye-opener for me. And, oddly enough, one of my greatest regrets is that I never learned to play classical bass!
A delightful insider's look into the world of orchestral playing. Justin Locke contends that most of the time when great conductors are waving their arms and making faces, the orchestra is just playing the standard repertoire as it has been doing for years, paying little attention to the on podium histrionics. True, as a regular member of the Boston Pops under Fiedler he was not subjected to the careful preparation of more profound musicians like Solti and Kleiber, but there is a lot to be said that the modern conductor has been given much too much credit for what we hear. This book offers lots of wonderful anecdotes about the average hard-working musician's life. As Mrs. Loman once said, "Attention should be paid."
This was a very easy read. What I appreciate is the humor that the author so deftly navigates between being a consumate professional and a wise cracking, sharp tongued player. I have been a full time singer for 15 years+ and I could relate to every single thing he said. I found myself laughing at every turn.
I am three years back to my bass after a 14-year hiatus (why, oh why did I ever stop?)...after having played from grade-thru-grad school. I returned to find electronic tuners, end pins that actually work, blogs just for bassists, and Justin Locke's wonderful book. I ordered it via Amazon, and it was fulfilled directly by Justin (complete with a nice note on the packing slip.) I squirreled it away for vacation, and gobbled it up last week in one wonderful day. The back of the book bears a warning not to read in "the quietude of a library, as you're apt to break out into uproarious laughter." I would amend that to "anywhere in public" since I frequently found myself hooting, belly-laughing, slapping my thighs, and laughing so hard I snorted...with tears streaming from my eyes. This is really bizarre looking on a beach but I was having such a great time I did not care. Anyone who has played an instrument with a musical group - not just bassists - will delight in this book...but for bassists, it is a treasure.Justin's perspective on conductors (oooh, he played with Fiedler and on tour with Mancini), stand partners, spinning basses (wonder if I can bring to our community orchestra) and symphony management idiosyncrasies are priceless.My favorite passage though is about bassist attitude..."While I can only comment on the bass sections I played in, the attitude we always had could be summed up as, "this thing is pretty much impossible to play, we're doing the best we can, and we really don't want to be here anyway, so don't bother us with your prissy nitpicking."" Amen, Justin.After all, as he notes, "...since bass players are so rare, you don't have to be terribly good, or even all that motivated, to be wonderfully successful at it." What you do have to have is spirit, a sense of humor, and attitude, and Justin delivers.Buy the book, enjoy, and pass it on to your musician friends and your family (maybe they will finally understand you.)
very funny stories - a little slow at times, but a nice look at the backstage of a major orchestra and all of the funny things that can go on. Sort of like Mozart in the Jungle, light...
“Real Men Don’t Rehearse†is a superbly funny read. The author is a keen observer of people and events, and a great storyteller with a real gift for relating what he has seen to provide telling insights into the world of the working musician. The anecdotes certainly ring true based on my experience as a professional musician, though you don’t have to be a professional musician to enjoy them. I have given copies of the book as gifts for students and friends, and they have inevitably loved it. Highly recommended!
Fun look at a professional musician in a professional orchestra. He talks a lot about the structure of the professional orchestras, how he got the job and how much fun he had. My brother is a professional musician but he rarely talks about his gigs.
A thoughtful and revealing read about the inner workings of an orchestra and the minds of the players who make the music. This book rings true on so many levels and this is from a former violinist and current multi-cam live television director. When you get to that chapter you'll understand the significance.
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